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Milano The School of Fashion

A unique encounter between Italian heritage and contemporary fashion

Studying fashion at Istituto Marangoni Milano is an immersive journey through the heritage of Istituto Marangoni’s very first school, surrounded by Italian contemporary fashion and ready-to-wear. Students will engage with the ‘Made-in-Italy’ culture and the latest fashion trends, inspired by experimental design and research and combining handmade luxury and attention to detail with striking effects. Leveraging long-standing expertise and a creative, forward-thinking attitude towards both design and business, the city and the school have gained a privileged position in the global fashion arena. Students at IM Milano have the opportunity to take part in special educational projects developed with leading fashion companies, an invaluable experience that will help them progress into the next phase of their fashion journey.

 

 

 

 

EXPERIENCE MILANO THROUGH VIDEO

Explore Istituto Marangoni Milano through video, where Italian heritage meets contemporary fashion and Made in Italy excellence. Discover how students combine luxury craftsmanship, fashion design innovation, and exclusive projects with top fashion brands in the global capital of style.

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Discover a world of creative possibilities at Istituto Marangoni Milano, where a fusion of creativity and expertise awaits in the fields of Fashion Design, Fashion Business, Fashion Communication & Image and Fragrances & Cosmetics.

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Minister Bernini visits Istituto Marangoni Milano at Palazzo Turati

Anna Maria Bernini, Minister of University and Research, visited the new Milan campus of Istituto Marangoni at Palazzo Turati - a landmark of over 150 years of Milanese heritage and now the home of an institution that has shaped leading figures in fashion, design, and contemporary creativity for 90 years.

The new Istituto Marangoni campus comes to life inside the historic Palazzo Turati, featuring renovated spaces designed to welcome the creatives of the future, blending historic architecture with a contemporary vision of education.

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The campus is a multidisciplinary hub where fashion, technology, and creativity converge. From photography labs to content creation studios, 3D printing workshops to digital classrooms, every space is designed to foster experimentation, research, and innovation.

During the visit, Stefania Valenti, Managing Director of Istituto Marangoni, shared the institution’s remarkable growth over the past few years, including the opening of campuses in Dubai and Riyadh. She emphasised the strategic importance of strengthening the link between innovation and creativity, which keeps the Made in Italy luxury sector at the forefront of international markets.

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«Academies, Conservatories, and Institutes of Higher Education in Art, Music, and Dance,» Minister Bernini explained,«preserve and share the universal language of culture and creativity. These are places where talent, passion, and commitment take shape every day, and for this reason, they represent one of Italy’s great strengths. The Ministry of University and Research is committed to supporting this heritage, so that it can grow, evolve and renew itself. Our goal is to make the AFAM system even more welcoming, attractive, and open to international dialogue, encouraging student and faculty mobility, collaborations with foreign institutions, and constant engagement with creative and productive industries. At the heart of this collective effort are people and their aspirations.»

«Institutions like Istituto Marangoni,» the Minister concluded,«demonstrate how tradition, innovation, and an international outlook can coexist and strengthen each other, creating real educational and professional opportunities. This is the direction we aim to pursue: an AFAM system that supports talent on their journey, while celebrating the identity, creativity, and excellence of Italian craftsmanship

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The celebration of Istituto Marangoni’s 90th anniversary also highlighted its distinctive educational approach, known as the Marangoni Method(s). Since 1935, this evolving method has responded to shifts in fashion and society, bridging the gap between craftsmanship and industry, and between the atelier and the academy. This vision has helped cement Milan’s role as a global fashion capital.

The meeting also addressed important issues in higher education for the creative fields. In particular, given Istituto Marangoni’s strong international focus, the discussion centred on the decree on international recognition of AFAM qualifications. This strategic move will help Italian institutions compete more effectively in global markets with their academic degrees. Stefania Valenti extended special thanks to the Minister for her ongoing commitment to raising the profile of AFAM institutions worldwide.

As part of the 90th anniversary celebrations, Istituto Marangoni and Marsilio Editore published a new essay, “The Scent of Beauty. Leonardo da Vinci between Fashion and Style”. This volume honours Leonardo da Vinci as a pioneer of the aesthetics and core values of Made in Italy, reinterpreting his aesthetic codes through a contemporary lens that fosters dialogue between art, fashion, and industry. The preface, written by Minister Anna Maria Bernini, states: «Leonardo is also the ideal father of the AFAM system - a Renaissance tradition where the artist is a researcher, the workshop is a place of thought, and the work is an act of synthesis between knowledge and practice. Istituto Marangoni, with its 90-year history, stands out as one of the Italian institutions that best embody this vision.»

Donato Medici, Stefania Valenti, Anna Maria Bernini, Alessandra Gallone, Paolo Meroni, Francesco Fioretto

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In Motion: the artistic encounter between Filippo Cascinelli and Giuseppe Giofrè

This is a story of fashion, shared passion, and a dream transformed into artistic vision. But above all, it’s about a meeting: between young designer Filippo Cascinelli, trained at Istituto Marangoni Milano, and dancer Giuseppe Giofrè - the acclaimed choreographer who has worked with Taylor Swift, Jennifer Lopez, Dua Lipa, and Kylie Minogue.

«I met him during the Camera della Moda awards at La Scala in Milan. At first, I dressed him for his press tour for The Traitors. We stayed in touch, and I suggested we collaborate on a project» Filippo explains. That’s how In Motion was born: a capsule collection designed to move, breathe, and dance. The pieces were presented during Milan Fashion Week alongside Cascinelli’s main collection, One Year On, celebrating the brand’s first anniversary.

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Here is how the two protagonists describe this compelling creative adventure.

How did you work on the In Motion capsule?

Filippo: The capsule grew out of my great passion for music and live performance. Between Los Angeles, where Giuseppe lives, and Milan, where I am based, we worked day and night through video calls and messages to bring it to life.

Giuseppe: Throughout the preparation, I was constantly in rehearsal studios, juggling training sessions and calls. Every day, I sent Filippo countless ideas, and he always made them tangible. Everything started with him, and I am truly grateful for the opportunity he gave me. I live for art, dance, and music, and I wanted all of that to be present in the creation, shaped by his signature style. I had always dreamed of creating my own collection, and thanks to Filippo, this became possible. It felt like a natural fit: this flower (his signature motif) blossomed in the most harmonious way.

What was the initial inspiration, and which materials did you work with?

Filippo: The collection combines the distinctive volumes that represent Giuseppe’s style with Cascinelli’s aesthetic and signature materials. We drew inspiration from the one-piece jumpsuits he often wears during training, and created garments in recycled nylon and cotton gabardine.

Giuseppe: I’ve always been a big fan of one-piece jumpsuits, so designing one of my own, with the right proportions and truly tailored to my body, was a special experience. The long belt that wraps around the body helped us achieve just the right balance of function and aesthetics. It’s an outfit that truly feels like mine.

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How did you work on the volumes of In Motion to create harmony between the body and movement?

Filippo: Unlike the traditional volumes in my collections, with In Motion we introduced shapes designed around Giuseppe’s aesthetic, creating a more direct relationship between the garment, the body, and movement.

Giuseppe: Filippo immediately stepped into my world and understood me. Our garments are both boxy and sharply linear, designed to follow the body and movement without restricting them. 

If you had to describe the collection in three words?

Filippo and Giuseppe: Technical, dynamic, and sensual.

The journey of Filippo Cascinelli

Alongside In Motion, the designer celebrated his brand’s first anniversary with the collection One Year On: a wardrobe inspired by the volumes of technical mountain-wear, with an aesthetic that blends outerwear and romanticism in a fresh, sophisticated way.

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In the press release, you speak of “Italian craftsmanship.” What does that mean exactly?

Cascinelli products are made entirely by hand by Italian artisans who specialise in traditional techniques, prioritising craftsmanship over industrial processes.

What led you to study fashion at Istituto Marangoni Milano?

Having been born and raised in Milan, I always knew that Istituto Marangoni Milano was the ideal place to study fashion.

What are the most important things you learned during your educational journey?

I learned the value of dedication, the importance of building something on your own, daily discipline, and the awareness that every detail matters.

What advice would you give to a young Istituto Marangoni designer entering the fashion world?

Don’t be discouraged by early setbacks—stay resilient, and keep believing in your goals with consistency and determination.

Why did you want to launch your own brand?

It has always been my dream since childhood, but I first wanted to gain experience at major brands like Prada, so I could fully master the craft and be prepared to launch my own label.

Was it difficult? What were the biggest obstacles you faced, and how did you overcome them?

Yes, it was difficult. When you start a business, you have to think like an entrepreneur first and a designer second. Early on, the biggest challenge was finding the right workshops; today, in a highly complex and competitive market, the greatest difficulty is making your brand stand out.

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Milan, Paris, Florence… your wardrobe has travelled extensively. Which experience was the most impactful? Which city offers the most interesting stimuli in menswear today?

Florence holds a special place in my heart - it was where I presented my first collection. Paris was an exciting adventure, full of encounters with industry professionals. But Milan is my city and the true centre of my creative inspiration.

Is it important today to create in a sustainable way? Do you believe fashion is really moving in this direction, or is there still a long way to go?

Yes, sustainability is essential, and it is something the new generation cares deeply about. There is still a long way to go: we need to buy less, but better, prioritising quality and responsibility

Is there a designer you particularly admire or who has strongly influenced your work?

Yes, I look up to Miuccia Prada and Raf Simons, who remain my main references to this day. Working with them taught me an enormous amount, both creatively and in understanding how to navigate the fashion industry.

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Inspiring and supporting students while helping them grow their skills, Mentors are a go-to person for future fashion, design & art talents.

CONTACTS

Enrolment information for new students

milano@istitutomarangoni.com
t +39 02 3858 5247


Student Service Office

academicservices.milano@istitutomarangoni.com t + 39 02 7631 6680

Istituto Marangoni Milano

Via Meravigli, 7, 20123 Milano MI